There used to be a category in the Creative Circle called ’Best
change of direction for an existing campaign’. I always thought it was
an excellent category as it created an opportunity for juries to reward
campaigns that hadn’t started life quite as well as they might but which
had become infinitely better.
If the category does still exist, the new iteration of the Metz campaign
might be a contender for winning it. The original wasn’t really a belter
(you remember, the man in the Hathaway shirt talks about monkeying
around with your periodontal atrium or something). This is very
different and much better.
This time we have the legend of the Judderman, shot in a post-war Polish
film-style. It’s difficult to describe but easy to enjoy and well worth
keeping an eye out for.
On a less happy note, we find a poster for Allders. Allders would like
us to know that, should you find yourself with nothing to wear, you can
furbish yourself with all sorts of designer kit at its place. I won’t
describe the ad as you can see it for yourself. However, it’s difficult
not to observe that it doesn’t need a headline and the art direction is
not very exciting. Still, with 30 logos on offer, at least the client
should be ecstatic.
Next we have three 30-second ads for Eagle Star Insurance. Rather than
give us a generic and meaningless set of images that are meant to
represent life, as is traditional in this category, we instead get some
facts. If you lose your house keys with Eagle Star, it’ll send out a
locksmith.
If you get a puncture and you’re with Eagle Star, it’ll send out a man
to repair your tyre. And, if you’re motoring abroad, you get 90 days
cover - all of which is refreshing. However, the scripts are a bit soft
and passive. They’re not awful but my skirt could have been blown up a
bit higher.
Sport must be one of the most emotive pieces of subject matter to work
with, something that’s borne out by the number of great ads which
include it. Here’s a radio station - talkSPORT - that talks of nothing
else. This, I suspect, is this week’s best brief but it is not this
week’s best campaign. A bit like Eagle Star, it’s not really poor, just
not very exciting. And, given that what this radio station is offering
is meant to be extremely entertaining, that’s a bit disappointing. The
line for the campaign reads: ’If you love sport, we’re on your
wavelength.’ My problem is that I don’t think these messages are on the
consumers’ wavelength.
I think they could be less Trevor Brooking and more Dennis Wise.
Penultimately, it’s the Ken and Frank show. Very soon, Londoners are
going to be asked to vote for a London mayor. The campaign has been
tasked with reminding everybody of this fact. This isn’t necessary
because, unless you’re a resident of Pluto, every newspaper and current
affairs programme put out over the past two months has told you as much.
That notwithstanding, the campaign does its duty fairly adeptly and,
coming from WCRS, it has had a dollop of style ladled on it in terms of
how it looks. Shame that the agency wasn’t allowed to include some of
the issues attached to the announcement as it would have made the
message more interesting.
Finally, as is so often the case, the best has been saved for last. I’ve
long been a fan of the Meat and Livestock Commission campaign and this
latest execution gave me no cause to change my mind. What we have here
are different members of the same family all converging on a house,
hoping to enjoy what we assume is the Sunday joint. Their journey to the
dining room is set to an appropriate track and it’s shot in a
deliberately saccharin style. However, when the dish emerges from the
oven, it’s not the treat we’ve been expecting - rather a broccoli and
cheese flan. Everyone looks pissed off and leaves. A lovely idea,
cleverly shot, plus it is one in the eye for French farmers and vegans
everywhere. Larry, I salute you.
DETR
Project: Election of London mayor and assembly
Client: James Brandon, assistant director of communications
Brief: Encourage Londoners to both register and vote
Agency: WCRS
Writer: Matt Woolner
Art director: Steve Wioland
Typographer: Doug Foreman
Photographer: Monney Photo
Exposure: London press
ALLDERS
Project: Tattoo
Client: Larry Thomson, marketing director
Brief: Raise awareness of the fashion brands available at Allders
Agency: RPM3
Art director: Russell Wailes
Writer: Anna Moult
Photographer: Clive Arrowsmith
Exposure: National 48-sheets and six-sheets
MEAT AND LIVESTOCK COMMISSION
Project: British meat
Client: Chris Lamb, consumer marketing manager
Brief: Remind the nation that a Sunday roast is a catalyst for bringing
people together
Agency: BMP DDB
Writer: John Webster
Art director: John Webster
Director: Peter Webb
Production company: Park Village
Exposure: National TV
EAGLE STAR INSURANCE
Project: Eagle Star
Client: Jane Reed-Thomas, director, corporate communications
Brief: Increase brand empathy among the target markets by showing them
that Eagle Star understands their lifestyle and tailors its product
offering towards their needs
Agency: Ogilvy & Mather
Writer: Patrick Collister
Art director: Patrick Collister
Director: Simon Cheek
Production company: Spirit Films
Exposure: National TV
BACARDI MARTINI
Project: Metz
Client: Charlotte Baker, marketing manager
Brief: Unexpected Schnapps refreshment
Agency: HHCL & Partners
Project team: Ian Williamson, Jonathan Burley, Dominic Stinton, Sid
McGrath, Jason Ayers
Director: Enda McCallion
Production company: Spectre Vision
Exposure: National TV
TALKSPORT
Project: Talk Radio relaunch
Client: Kelvin MacKenzie, chairman and chief executive
Brief: Establish talkSPORT as the number one radio station for live
sport coverage
Agency: Rainey Kelly Campbell Roalfe/Y&R
Writer: Derek Payne
Art director: Richard Dennison
Director: Squid
Production company: Garretts
Exposure: National TV