Opinion: Profile - National Pride - Roger Pride Head of overseas and travel trade marketing Wales Tourist Board

It has been said that if the lead singer of Catatonia’s accent were any broader, the Wales Tourist Board would have it set in concrete and called a national monument.

It has been said that if the lead singer of Catatonia’s accent were

any broader, the Wales Tourist Board would have it set in concrete and

called a national monument.



The WTB’s director of marketing, Roger Pride, denies that he has designs

on Cerys Matthews’ larynx but happily admits that the international

success of bands such as Catatonia, Manic Street Preachers and the

Stereophonics doesn’t make his job any harder. Marketing any destination

is difficult, marketing an entire country more so and, when it comes to

Wales, there are a few negative perceptions to get past.



’It has traditionally been very difficult to get people to think

positively about Wales, but that is no longer true,’ Pride comments. The

WTB’s award-winning advertising and direct marketing campaign has played

a significant role in that shift. The campaign, created by FCA and

running since January 1998, has shown an impressive return on

investment.



Pride claims that for every pound spent on advertising, pounds 60 has

been spent by visitors. ’That return doesn’t take account of the

perceptional shifts we’ve achieved. It is a long-term process.

Ultimately it is about increasing tourism, creating jobs in Wales and

increasing tourism’s relevance to the Welsh economy,’ he says.



Generating a 60-to-one return is not a bad start, yet Pride is nothing

like his name. He is certainly proud to be Welsh, and is passionate

about marketing his country, but he is also rather modest. When talking

about the campaign he is keen to share the credit and quick to praise

the agency.



Asked about the most satisfying aspect of his job, Pride talks about

having a vision of what you want to create and achieving it in a

relatively short time.



’I didn’t think it would achieve outside recognition,’ he remarks to his

hands. If you want eye contact and intensity from Pride, say

’Wales’.



’The brand I promote is my country and that is very rewarding. It is not

a hard job, it is a pleasure,’ he says.



The problem with marketing destinations is that they are amorphous by

their very nature. Most campaigns start out trying to be all things to

all men and end up with confused images and vague statements, or pretty

pictures and vague statements. ’Having seen a lot of mediocre campaigns

from all over the world we realised that we had to become as focused as

any brand and market-led rather than destination-led,’ Pride

recalls.



’The problem with previous campaigns was that we had gone to agencies

and said here is the problem, solve it for us. So we had strategies

coming at us left, right and centre. We chose the best - and the next

time there was a pitch it would be the same,’ says Pride, who has been

director of marketing for two and a half years.



The 1991 campaign ’Now there’s Wales for you’ was typical of lacklustre

destination advertising and stereotypical to the point of being

patronising.



’It was very passive, it didn’t involve consumers,’ he comments.



Its replacement, ’The land of inspiration’, sought to update perceptions

by contrasting contemporary Welsh figures with traditional

surroundings.



’That campaign generated lots of comment and was seen to be very clever

but it was still too passive, too generic and it didn’t make the link

with holidays,’ he says.



But now, under Pride’s aegis, the WTB has developed a model for

destination marketing that it hopes can be applied to anywhere.

Explaining this model involves drawing diagrams and much enthusiasm on

Pride’s part. Put simply, it defines a destination’s unique attributes

and seeks to communicate them in a rational and involving way to

specific consumer groups.



Pride decided that Wales was the perfect antidote to modern life.

’Whatever stress means to you, the solution is here,’ he says. Under the

banner of ’Two hours and a million miles away’ the campaign targets

groups such as empty nesters, families with young children, young

professionals, retired people and sports enthusiasts.



While above the line it offers them specific benefits - like the chance

to rediscover relationships with your children for harried parents -

below the line it is more product specific.



The 39-year-old, who has yet to be tempted from his native Wales, is

obviously pleased with the results so far. It is an exciting time to be

doing the job, he says, with devolution and the possibility of greater

European Union funding in the offing, the current popularity of Welsh

music and hosting the Rugby World Cup this year.



It is ironic that the person responsible for the ’You must be there’

Rugby World Cup campaign is a football fan. ’It is heresy for a

Welshman, I usually say that I had an accident as a child,’ jokes the

Cardiff City fan.



Pride counts himself privileged to ’have been put in a position to

develop the whole image of Wales’, but it makes it difficult to see what

his next move could be.



’How would you go from being able to change the identity of a nation to

selling widgets?’ he muses. ’If you had told me ten years ago that I

would be in this position, I would have been very happy.’



BIOGRAPHY



1984-1985 - National accounts manager, Golley Slater Telephone

Marketing



1985-1989 - Travel trade officer, Wales Tourist Board



1989-1992 - Travel trade manager, Wales Tourist Board



1992-present - Head of overseas and travel trade marketing, Wales

Tourist Board.



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