The philosophy is simple: give the consumer a good time and brand
loyalty should follow. Using leisure and entertainment as a platform for
brand extension has already proved itself in the UK. It worked in the
confectionery sector with Cadbury’s World, and Legoland has prospered in
Windsor, but can the automotive industry follow suit?
For car marketers, face-to-face marketing has traditionally been
restricted to the car showroom or the few motor shows which dominate the
exhibition calendar. But, with the launch of Opel Live in Germany this
month, that looks set to change.
General Motors is the first car company in Europe to build on the
interactive format of the exhibition environment and launch a high-tech
automotive theme park. While last year’s International Motor Show at the
NEC attracted 709,000 visitors, Opel Live in Russelsheim, Germany has a
projected attendance of 1.5 million visitors in the first three years.
It will generate pounds 3.7m through admissions, merchandising, catering
and corporate hospitality in the first year.
Russelsheim is the home of GM’s European design and technical centre
(which develops cars sold under the Opel and Vauxhall brand). The result
of six years’ development and an investment of pounds 41.7m, Opel Live
aims to entertain and educate, while exploiting the public’s enjoyment
of a ’behind the scenes’ brand experience and ultimately engendering
greater loyalty among existing and potential customers.
A chance to create a new Opel
But more importantly, says Opel Live director Jan Reuvers, the format
enables GM to address some problems with the Opel brand. ’Opel is
looking to create a new image; a young, dynamic face. It has been around
a long time and needs to be redirected.’
Not surprisingly, the venture is being watched by GM subsidiaries in
other European markets as well as rival manufacturers. Reuvers points to
France, the UK and Holland as countries where the Opel Live format could
be successfully translated.
Other manufacturers are looking at this type of activity. VW is opening
its own live experience in Germany next year and Ford is also exploiting
the concept through its own exhibition format (see box).
Opel Live was the brainchild six years ago of Andrew Grant, the
principal of Grant Leisure. Grant saw the potential to develop the site
as a self-financing industrial tourist attraction, and the UK events
company HP:ICM was appointed to lead the design and production team.
For DM25 (around pounds 10) visitors can experience three different
zones.
’The brief was to steer away from model-specific exhibits, as they
quickly become outdated, and to keep the branding subtle,’ says Miles
Platt, HP:ICM’s associate director.
The tour kicks off with a walk-through experience called ’Tour of the
Senses’ where visitors put their senses to the test before going into an
interactive gallery which explains the role the senses play in the
development and design of new cars.
For this, Opel had to cater both to those looking for real technical
insight into the car workings and to children, who need the
straightforward interaction of chunky buttons and flashing lights. As
the exhibit’s first official visitor and with a limited interest in all
things automotive, I emerged from the experience with an
uncharacteristic interest in such turgid objects as traction control,
ABS brakes, power steering and insulation.
In short, the formula works.
Opel is also able to tackle specific areas of public concern such as
emission control and safety.
Simulating times
A kinetic sculpture hall features mock testing stations and a 3-D cinema
shows the impact of a series of crash tests on the car.
Simulators - the most popular element of the tour according to research
- take visitors on a drive around Opel’s test track and an ’After Dark
Ride’ in electric cars recalls snapshots in Opel’s history. The final
element of Opel Live is a tour of the manufacturing plant itself.
In total, the experience is three and a half hours of brand immersion,
which Reuvers hopes ’will bring new light to the Opel brand’.
ON THE ROAD WITH FORD
Ford, the second-largest car company in the world, has a job on its
hands when it comes to getting its brand message across to dealers and
customers because it has several marques under one umbrella brand.
The company’s desire to acquire and retain lifelong customers is played
out at annual motor shows around the world. And in the US, there is no
event more important than the Detroit Motor Show. Every January, inside
the vast Cobo exhibition centre, the motor city plays host to the
world’s major car manufacturers.
As with other car companies, Ford keeps on growing. From its takeover of
Volvo this year, its acquisition of Kwik Fit and rumours of a merger
with Honda, are all signs of its expanding horizons.
Every year the car company builds a bigger stand at the show but this
year it aimed for its biggest ever. Imagination, the design and
communications consultancy, was given the job of building a stand to
incorporate a brand experience that would not only show how impressive
Ford is, but how it can respond to the needs of the consumer.
The stand invited visitors to experience the whole Ford brand. The
centre-piece of the exhibition was the reborn retro-style Ford
Thunderbird, but the stand also showcased future models including Ford,
Aston Martin, Mazda and Lincoln. The Jaguar division was steeped in
luxury with thick carpets and a small decorative pond while the Super
Crewzer, the ultimate bulky American car, generated much of the
visitors’ interest.
Ford also set out to educate visitors on the future of the environment
by showing the company’s research into an alternative to petrol and
recycling.
The new media stand gave the chance for a sneak preview of the new Ford
web site.
Lucy Barrett.