’It’s like managing Manchester United,’ Johnny Hornby says of the
role that he and Garry Lace will play as the new joint managing
directors of TBWA GGT Simons Palmer. ’The agency’s on the top of its
game but we could easily be 30 per cent better.’
On the face of it, it seems strange for Hornby to use Alex Ferguson’s
side as a metaphor for the agency he now helps to manage. After all, he
does hail from the best-known family of Arsenal supporters in the
country, with a chapter of his step-brother Nick Hornby’s Gunner-crazed
novel Fever Pitch devoted to him.
Unfortunately, though, the north Londoners just haven’t been enjoying
the kind of long-term success that Hornby believes is around the corner
for TBWA - and the Red Devils have.
’When Alex Ferguson won the championship he didn’t make do with that,’
he says. ’He went out and got some new players. That’s the attitude we
want to have here.’
Guarding against complacency seems to be the watchword at TBWA these
days. And the agency does have quite a few recent laurels to rest on.
Last year TBWA pulled in pounds 47.5 million of new business and pumped
out critically acclaimed work for Sony PlayStation and French
Connection.
It brought them within a whisker of ±±¾©Èü³µpk10’s Agency of the Year
award.
Missing out by the narrowest of margins doesn’t seem to have dented
Hornby’s confidence.
’I ask myself if we’d be doing as well now if we had won it,’ he says,
referring to the company’s new-business wins in 2000, which include
Unicef’s global pounds 200 million children’s rights campaign. ’For
whatever reason, we’ve had a great start to the year.’
The most surprising thing about TBWA’s recent success is that it comes
only 18 months after the string of four mergers that founded the agency.
After those changes, Paul Bainsfair and company might have been forgiven
for sitting back and taking it easy for a while. ’People assumed there
would be a fall-off in the work so soon after the merger,’ Lace
says.
’But instead, people reacted by putting the internal politics out of the
room, getting their heads down and concentrating 100 per cent on running
the business. In the end we did better work than we had as four separate
agencies because the client was king and the internal goings-on didn’t
matter.’
Promoting former managing partners Hornby and Lace seems intended to
maintain the same spirit by decentralising TBWA’s command structures as
much as possible. The two MDs say they will be handpicking account teams
for each piece of business and rewarding them on their merits.
’We want people who see every account as an opportunity to make
themselves and their client famous,’ Hornby says. ’Then we will reward
each account team and each member based on what they are
contributing.’
The intention seems to be for each team to operate almost as a start-up
agency. ’We want cross-discipline contributions on every piece of
business,’ Hornby says. ’If everyone in the room is going to share in
the success of the account then the client knows that their business
matters to each and every one of them. They know that our motive in
advertising isn’t just awards or recognition, it’s the entrepreneurial
spirit.’
Maintaining that go-getting attitude is something both men seem keen to
apply to themselves. ’If ten years ago you’d have told me I could be
managing director of this agency, I’d have asked you to pinch me,’ says
Lace, who was recruited from Euro RSCG Wnek Gosper in April 1998. ’But
in the end it doesn’t matter what your job title is. Forget what you did
last week, you are only as good as your next meeting or your next
ad.’
Hornby was brought in from CDP to run the prestigious Nissan account
four months after Lace’s arrival. ’Just in time to repair the damage,’
he says with a grin. He sees the pair’s new roles as a natural extension
of what’s gone before.
’We need to apply the same thinking we’ve applied to our clients to
ourselves,’ Hornby says. ’We’re adding a new client to our roster, and
it’s TBWA.’
In the interests of maximising this new client’s resources, Lace and
Hornby will be analysing each piece of business to decide what areas of
the agency should or should not be deployed on it.
Given TBWA’s long, merger-fuelled account list, it’s a move that makes
perfect sense. ’We do have a long tail of accounts so we have to be much
cleverer in how we use our resources,’ Lace says. ’We shouldn’t have a
planner in a meeting just for the sake of having a planner in the
meeting.’
Managing TBWA’s human resources is about more than withholding a planner
here and there. As any football manager knows, it’s difficult to keep
every member of a strong squad happy and with players like the new
creatives Ben Priest and Brian Campbell on the books - not to mention
the managing partners Nick Kerr and Peter Jones - TBWA’s squad needs
more managing than most.
Far from worrying about so many egos rubbing shoulders, however, Hornby
seems confident enough to think of adding new talent to the ranks. ’We
want to be able to say so-and-so is the best account director at Saatchi
& Saatchi and so we’ll go out and get them,’ he says. ’We can say to
people ’come here, go for it, and we’ll provide the structures to
support you’.’
But might there not be too many captains on TBWA’s bridge already? ’I
don’t think you can have too many,’ Hornby says. ’If you look at our
account list, we have 58 ships so we ideally want 58 captains.’ It’s an
outlook Lace thinks other agencies might be able to learn from.
’A lot of places are built around one or two strong personalities and
anyone else tends to move on. But this new system will make sure that it
isn’t just the partners that will own this partnership. We have a broad
range of brands in the frame where good advertising can boost results
and that supports a broad range of senior talent.’
Lace and Hornby clearly don’t intend to lose touch with the process of
boosting clients’ results. ’We can’t tell 58 clients that we’re going to
function as an account manager for them,’ Hornby says. ’We need to grow
talent and pick the right teams for each piece of business. Then, if
that account goes a goal down, we can pull our boots on and get out
there - just like Gianlucca Vialli.’