
I'm informed that this is the first time that Emirates has made it into the prestigious Adwatch table, with what appears to be one of its biggest TV campaigns to date.
It has been a worthwhile investment: Emirates and its ad agency, Strawberry Frog, have created a spectacular special-build that comes together gracefully to form an A380 aeroplane on a runway.
I first saw the ad a couple of weekends ago, before knowing I would write this review, so had the benefit of forming my first view from a punter's perspective - and I liked it immediately. So when I had to choose what to review from this week's Adwatch table, it leapt out at me.
Like many men my age, who grew up bodging together Airfix kits, and having an enduring, James May-like fascination for mega-engineering, the seamless construction in 20 seconds of the behemoth A380, as the steward walks one of the three huge decks, was visually impressive. So top marks to the production and VFX companies (Czar and Nozon in Belgium).
I also enjoyed the use of the refrain from Strauss' Blue Danube Waltz in a musical homage to Stanley Kubrick's 2001: A Space Odyssey and its epic ballet-like journey.
Perhaps one could quibble over the slightly cheesy 'aren't men useless' interplay between the cabin crew at the end, but I won't.
The message that thousands of European workers are building the biggest fleet of the 'world's most astonishing planes' for Emirates is a classic corporate image-building endeavour, and UK plc gets a good slice of this, too, with substantial parts of the A380 made here.
The end title reads 'A friend of Europe', which jars a little with me, as I didn't for a minute think that Dubai would be anything but a friend, but I get the point about the high-tech jobs.
So did it persuade me to consider flying Emirates? As our planning department reminds us at every opportunity, choices are 95% emotional, and my inner aviation nerd is straining to get on an A380 at the next opportunity.
The 5% rational leftover also likes the message about European jobs, but I would have liked this more had there been a UK version telling us about the jobs here, as aviation is one of the bright spots in our manufacturing economy and deserves to be celebrated.
However, the plane-spotter in me still feels a very warm glow, despite these doubts. So, in the airline advertising stakes, Emirates makes a worthy TV debut, but Virgin Atlantic remains untroubled at 40,000 feet. For me, that's the campaign that sets the standard in the market.
Adwatch (July 13): Top 20 recall | |||||||||||||||||||||||||||||||||||||||||||||||||
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Latest | Jul-06 | Brand | Agency/TV Buyer | Recall | |||||||||||||||||||||||||||||||||||||||||||||
rank | % | ||||||||||||||||||||||||||||||||||||||||||||||||
1 | (–) | Microsoft Windows 7 | Crispin Porter & Bogusky/UM London | 48 | |||||||||||||||||||||||||||||||||||||||||||||
2 | -2 | Sky | WCRS/MediaCom | 45 | |||||||||||||||||||||||||||||||||||||||||||||
3 | (–) | Pizza Hut | Abbott Mead Vickers BBDO/Starcom | 43 | |||||||||||||||||||||||||||||||||||||||||||||
4 | -6 | National Lottery EuroMillions | Abbott Mead Vickers BBDO/OMD UK | 40 | |||||||||||||||||||||||||||||||||||||||||||||
5 | (–) | Emirates | Strawberry Frog/Starcom MediaVest | 39 | |||||||||||||||||||||||||||||||||||||||||||||
6 | (–) | More Th>n | SFW/Starcom MediaVest | 37 | |||||||||||||||||||||||||||||||||||||||||||||
7 | (–) | Yorkshire Tea | Beattie McGuinness Bungay/MediaCom North | 36 | |||||||||||||||||||||||||||||||||||||||||||||
8= | (–) | Tena | DLKW Lowe/Carat | 34 | |||||||||||||||||||||||||||||||||||||||||||||
8= | -1 | O2 | VCCP/ZenithOptimedia | 34 | |||||||||||||||||||||||||||||||||||||||||||||
10 | (–) | BT | Abbott Mead Vickers BBDO/Maxus | 32 | |||||||||||||||||||||||||||||||||||||||||||||
11 | (–) | DFS | Uber/MediaCom | 31 | |||||||||||||||||||||||||||||||||||||||||||||
12 | (–) | Barclays | Bartle Bogle Hegarty/Walker Media | 30 | |||||||||||||||||||||||||||||||||||||||||||||
13 | (–) | HSBC | JWT London/Mindshare | 29 | |||||||||||||||||||||||||||||||||||||||||||||
14= | (–) | Boots Opticians | Mother/OMD UK | 27 | |||||||||||||||||||||||||||||||||||||||||||||
14= | (–) | Asda | Saatchi & Saatchi/Carat | 27 | |||||||||||||||||||||||||||||||||||||||||||||
14= | (–) | Vauxhall | McCann Erickson/Carat | 27 | |||||||||||||||||||||||||||||||||||||||||||||
17= | (–) | Go-Cat | DDB UK/ZenithOptimedia | 26 | |||||||||||||||||||||||||||||||||||||||||||||
17= | (–) | Dettol No-Touch | Euro RSCG/ZenithOptimedia | 26 | |||||||||||||||||||||||||||||||||||||||||||||
19 | (–) | L'Oreal Excellence Crème | McCann Erickson/ZenithOptimedia | 25 | |||||||||||||||||||||||||||||||||||||||||||||
20 | (–) | KFC | Bartle Bogle Hegarty/Walker Media | 24 |